Small walks, great benefits

Are you like me that you sometimes find yourself sitting at home, thinking that it was a while since you’ve been out making photos? Perhaps surfing the internet, your library, watching tutorials and reviews? to the point perhaps that your creative juices are ebbing away.

And it’s so easy to do and justify to yourself: the weather is crap; it’s already too late (sun’s up); it’s too early (sun’s up); where do I go that is new, exiting, etc etc. Now is a god time to break the spell like I did on this day. I think it was a Friday, worked from home that day, got the job done and grabbed my camera bag and left the house for a short photo walk toward sunset time.

Sitting comfortably inside, snacking; it’s hard to go outside [Fuji X-T3, XF 16mm, f/1.4, 1/200, ISO 160]

Mother and daugther [Fuji X-T3, XF 16mm, f/2.8, 1/3000s, ISO 160]

I’m lucky to live nearby the sea, I am. But there are so many days that I don’t realise that. And so many people here that don’t. And I bet you that you live nearby something that is interesting, or perhaps nearby where you work or pass by. The nearby or familiar location can still be great for a walk and your hobby. In fact, it is probably the place where you will make your best photos. Because you know the place well, you’ve scouted it, you feel it, know what to look for. And you can try many times too!

I have mixed emotions about it too, I admit. The landscape explorer in me wants to go out on an adventure, see something new, perhaps sportively or logistically challenging even (see my next post on my trip to Scotland last month..). The Buddha in me tells me that I will just waste 80% of my time doing that, and then eventually see what is already ‘here’ once I’m calmed down.

So I walked the beach, captured some people walking along th waterline like myself, and just kept walking and hanging around until the sun started to set. I never know what t will bring, but having some high leel clouds in the sky looked promising. They allow the sun to set below them and shine its light from below, making them glow. I set my tripod, mounted the X-T1 with the 14mm lens, and shot everything manual through the LCD and with a 2 sec timer delay. What I think helped was that I kept moving my tripod around, putting it lower and lower and got into the water where needed, just focussing on the image in my LCD display. A special moment I can now share with you.

Field of Potential | Washed on the beach the water can’t stay there and is drawn back. The foam makes shapes as if particles in a field of potential gloing from positive to negative. The true source of energy looms behind. [Fuji X-T1, XF 14mm, f/18, 1/2s, ISO 200]

Form of the Sword | Like a liquid sword the small water waves cut through the sheet of water. [Fuji X-T1, XF 14mm, f/14, 1/3s, ISO 200] 

When the ocean sang in Hymns | Soft not loud. I hear you better. [Fuji X-T1, XF 14mm, f/18, 1/2s, ISO 200]

[Fuji X-T1, XF 14mm, f/14, 1/5s, ISO 200] 

How I found challenge and happiness in the great outdoors

About a year ago I challenged myself in two areas that came together this summer.

The first challenge was in photography. I asked myself what type of photography I really wanted to be good at, and what it would take. I have done travel, portrait, some model, landscape, and a tiny bit of astro over the years. Whilst I find portrait super interesting, I decided that landscape is the thing for me. I am naturally drawn to it for all kinds of reasons. Then I decided that to become good at it, I didn’t need the new camera I was dreaming of (The Fuji X-T2!), but I needed to get out more (you probably heard that before; me too but this time I was serious). I challenged myself to stick to the gear I had (Fuji X-T1) and go out to get the best pictures I could get with it! To be honest, I had pretty much covered the bases in glass for my Fuji X camera so it really wasn't that drastic, but it is a mindset change. For example: I read about a Fuji XF 16mm f/1.4 and think: if I swap my 14mm for that I gain some capabilities and quality. Maybe, but I've hardly managed to reach the potential of the 14mm!. Do you get the point? Stop being a consumer and start becoming a photographer! 

The second challenge is related. I love the outdoors - before mostly on the water -  and had done some day-hikes recently. Nice but not getting yet to real backcountry territory where marvelous photo opportunities reside during early morning and sunset. So, I set my mind on doing a multi-day solo backpacking trip in the Pyrenees. I picked these mountains because I had only skimmed the surface of their wild beauty over the last years, and they have size, height, and remoteness that make for a great adventure. Decision was made, and I rid myself of all excuses, how logical they may be. My wife for example could think of safety concerns that were valid, but realised later that I really wanted it and supported me.  I believe that if it is something you really want, you can learn to do it. I started planning and preparing, a lot! What gear do I need? How will I navigate and communicate? What distance can I reach? What about bad weather? Routes?... I started practicing with a multi-day hike in the Eifel in Germany, using hotel accomodation along the way. Then I upsized my backpack to accomodate a new tent, mat, sleeping bag, cooking gear, food, etc. and started multi-day wild camping hikes in the Ardenne in Belguim. I did that like 5 times in different weather, and I got the hang of it.  And loved it, and felt confident. after that I was ready for my adventure in the Pyrenees. About 10 months after I started the two challenges I went on my way!

Can I mentally push myself?

All alone in the wild: This is where I slept after a very long day hiking; 2500m up in the Valle Altos de Ara. I spent the night alone under this mountain peak that looked over me. It was a spectacular view in all directions.

[iPhone 7, RAW with Lightroom Mobile app]

I asked myself: How can I do something that I’ve not done before, can be real dangerous, life threatening? I would decribe my approach as follows: 

1. Accept no Excuses. Like I mentioned earlier, if I really want to do something, I have to stop making and listening to excuses, they are endless. Nobody knows what I can and cannot achieve, not even me.

2. Go step by step, focussing on the distant goal when I can, and on the immediate challenge in front of me when I must. This goes both mentally and physically when you hike so it is easy to apply.

3. Try, and find out how far you get and see from there. You will always achieve something and the journey itself is an adventure!

I found this very liberating and enabling. Worries are cast aside and decisions are made easier. What was key was the amount of planning and preparation. I read a lot internet articles about most things related, bought guide books and maps, became skilled in navigation tools, apps and route planning software, and tested all my gear at least once. I will write a seperate article about that. 

Now, once you are up there alone: how do you keep yourself together and push on? My wife asked me if I was scared at night, sleeping alone in the wild below the mountains, with risk of bad weather and wild animals outside, days hiking away from the nearest house? I just wasn’t. I had thought of all the challenges and enjoyed to be so immersed in nature. It made me feel very intense in the moment, at this beautiful place, knowing I was self-reliant. It felt really good, like I was made for this but I didn't know it before. Humans lived in nature for most of their existence and it is still in our genes. Being back home now in the city seems very dull in comparison, I am still adjusting! 

Can I physically pull it off?

I remember day four of the trip, it was pretty tough. I expected challenges on the trip, some even marked on my Gaia maps. There were those, and than this day had some more! I had planned to cross three cols that day from one valley into the next and the next etc, each of about 500-600m ascent. At the start I worried that I would have trouble navigating again like on the second day, when the camp site I had chosen was away from the track and I had had difficulty finding it back on the climb the following morning. I ended up several hours walking straight up a mountain side in boggy grass and each moment navigating on the phone (Gaia app) and correcting my way. It was so much slower and tiring than following markers. But on day four navigation started fine. Climbing the first col I developed a coping strategy to push myself: I divided the climb in three imaginary parts, so I could reach intermediary goals. Then I imagined that each part was a section of a classic drama (think Otello or Macbeth) The first one got the story set out. The second was long and got it developed and filled with suspense. The last section was the dramatic climax. I made up stories in my head to play out as I walked up and up. I repeated it for the next col, and when I got really really tired I also imagined that there was a platoon of soldiers with me and I was leading them up. If you have to lead it is simple: you go on. I know that this all sounds insane and I guess it probably is, but I attribute it to the physical and mental challenges as well as solitude. These absurdly fantastical versions of my inner voice did get the job done, however!

Tired but not there yet! About to start the third part of this climb over a boulder field. In my head I started telling the third part of the drama play: “the young hero warrior was going to challenge his stubborn war-lord father... and the platoon was following my lead up as I narrated the story...”

[iphone 7]

Purely physically, I experienced what I had before with other (sport) challenges: when you push yourself to leave your comfort zone (breathing hard, sweating all over, legs hurting, even dizziness and stomach in a knot) you are able to reach a new higher level of performance. And it feels great knowing you can. And the next time it gets easier because you are training your body. Going up boulder fields raised my heart rate high, and I was taking in immense quantities of water. But once I reached the top of each col I felt so great! It's just like any other sport, except that with this is is really difficult to give up once you've chosen a route. 

During these crossings I didnt see a single person that day. The fact that I was all alone was significant: I relied on only myself to stay out of danger. It added stress and adrenaline. Then after the climb the adrenaline was replaced by endorphins that made me feel great and motivated me to take on the next valley and col. I think that we humans are chemical factories, and their processes run our body and mind. Top sporters have this all figured out! 

Unfortunately, I did had some bad weather that caused me at first to pass by my planned camp site, and later resulted in a bit of panic when I was climbing at 2700m to cross the last (fifth) col that day. This must have been at 6pm in the evening and I was absolutely tired. The storm looked bad (see picture below that I took with my iPhone, because the camera was in the backpack because of the rain) and I was in a wrong spot. Going back was a bad option, hours down to a suitable camp site. I had to push on to get over this col fast and into the next valley! I continued on pure will power. 

I SHALL PASS!

Puerto de Brazato at 2700m. I had finished my water, my bars in the front pocket, and the energy had left me, until I saw this dark storm in front of me.

[iphone 7]

Did I get the photos I was looking for?

Photography was a big part of why I got out there, so did I get the photo's I wanted? To be clear, my trip goals were 50:50 hiking and photography. This decision came up when planning my packing: will I take the extra lenses and the great tripod, or do I stick to a max weight target (say 15kg)? My short trips had warned me about the burden of a heavy pack, especially for climbing. But the 15kg pack was not going to be realistic either. I was going to bring at least the camera with a big lens, filters, batteries, and as a minmum a mini tripod. The eperienced sales person in my outdoor store (Bever) helped me greatly: forget about that Osprey Exos or Levity light weight packs for your 5 day camping trip with photo gear! You need a strong pack that can handle the weight (18-20kg) and keep it comfortable over the days.

ELYSIAN FIELDS

Sunday. As I arrive late in the Valle de Otal, just when I reach over the top of the ridge climbing up from Valle de Bujaruello, the last sun rays reach the green valley floor. I immediately drop my pack and set up the tripod on a little hill and capture this composition.

[Fuji XF 55-200mm, 70mm, f/16,ISO 400, 1/35sec, tripod]

I briefly considered a fully photography-focussed trip. Spotting the locations in Flickr, social media and Google Earth, planning drives and short walks there... They would be the more popular scenic locations, it would be more crowded, especially in the summer. It wouldn't feel like exploring to me and it provides the artistic trap of copying the work you have seen from others. It didn't inspire me; what I was looking for was remoteness, exploration, connection with nature, opening my eyes to its beauty and capturing that. 

So, in this 50:50 deal I ended up bringing two zoom lenses and a light tripod, as follows:

• Fuji X-T1 body (I know it's 'old', but see my challenge on top and I love the color rendering :-)

• Fujinon XF 10-24mm f/4 (super wide angle with IOS, best quality/weight compromise for landscape)

• Fujinon XF 55-200mm f/3.5-4.8 (tele with IOS, this lens is sharper than my Nikon 70-200 f/2.8, and I use it much more because it is like 1/3 of the Nikon's weight!)

• Manfrotto aluminium light travel tripod with Really Right Stuff Acro Swiss release plate with fast lever (the tripod was 80 euro, the release plate like 200!)

• Polariser and 10-stop ND filters, adaptor rings, 4 spare batteries, cable release)

A dificult decision was to bring two lenses (wide, tele) in stead of one travel zoom, the XF 18-135mm f/3.5-5.6. That one is weather sealed (WR) and also has IOS and is a really great 'All in one' travel lens. But at the long end it looses a tiny bit of sharpness, and the XF 55-200mm excels in that range. I decided I really needed that long tele range because I was going to be up in the mountains and interested in capturing distant compressed perspectives. 

The other more straight forward consideration was to stick with the zooms and not bring a prime lens. One day I will go 'pure' with only my XF 14mm f/2.8 and XF 56mm f/1.2, but I'm not there yet, in that zen space.

So what did all this camera gear (±3kg) and hiking get me? See below some of my processed results to date. I'm still working on it but I am very pleased with the images that capture the beauty, scale and atmosphere of the rugged outdoor :-). 

MOON MIST

Taken in the Valle de Otal. I arrived late and once I had my tent set up the sun was setting already. The beautiful, silent valley went dark while the peaks around it were lit by the setting sun a bit longer. The moon rose behind the edge and skimmed the peaks, with a thin blanket of clouds adding an eerie feeling to the scene.

[Fuji XF 55-200mm, 110mm, f/13, ISO 200,1/13sec, tripod]

SWEET DREAMS | GIANT

The peaks on the other side of the Valle de Bujaruelo stack up behind each other and catch the last light as the valley goes dark and clouds roll in to cover it. Night is falling and the giants each over me.

[Fuji XF 55-200mm, 105mm, f/13, ISO 200, 1/13sec, tripod]

BRINGER OF RAIN

The Rio Ara brings rain and melt water into the Valle de Bujaruelo, all the way from the Neveros de Labaza and other disappearing glaciers in the north. From this vantage point in the south of the valley near San Nicolas de Bujaruelo, the valley bends upstream for some 15 km, with various smaller valleys springing off to the south and passing massive mountains that forming the border with France to the north.

[Fuji XF 10-24mm, 11mm, f/8, ISO 400, 1/280sec, handheld]

HOME IS WHERE I PUT DOWN MY TENT

After a long and hard day I found this lovely place to camp. Boulder fields changed into green pastures crossed by small rivers; dark clouds moved out of sight and the sun light touched the grass just before it dipped behind the mountain. It was a happy ending to a long day and I was very grateful to be in this magical place.

[Fuji XF 10-24mm, 12mm, f/12, ISO 200, 1/60sec, handheld]

COMPASS OF THE NIGHT

The green pastures roll up the sides of the valley, followed by layers of rock showing its geological formation, finished by cliffs near Pico Otal. This valley is gorgeous, and today we are joined by the moon who will watch over me, the sole soul here, as the night falls.

[Fuji XF 55-22mm, 55mm, f/13, ISO 400, 1/20sec, tripod]

PUNTA DE LA RIPERA

What do we look for in the mountains, when we climb or cross them? The vistas, the thrill of height, solitude, ourselves, finding some lasting wilderness, the geological scale and history of the earth, magical places that are beyond our vision? I believe it is all there if you want to see it. I did, some, and it was thrilling and that's why I want to go back!

[Fuji XF 55-200mm, 75mm, f/11, ISO 200, 1/30sec, tripod]

For those of you who read all the way to the bottom (THANK YOU!) here is my take on the challenges:

Photographic: My pictures got better, many are at a level that I am very pleased with. I contribute that to the creative juices that were flowing and the practice. I also developed a better sense of weather, time and locations to decide when to go where. All of this gives me much better than any new camera or lens can! I succeeded in this challenge and can recommend it to you all if you haven't tried this already.

Hiking: I completed the 6-day solo-wild camping trip, I survived, and I liked it. It made me believe almost anything is possible if you really want it and set your mind to it. One afternoon I stood on a mountain col and looked back and saw where I came from and thought: did I walk all that way, wow? I did it step by step... So can you, whatever it is that you want to achieve!

How to prepare for a Landscape photo outing

It’s the end of autumn when I write this and the season is still treating us with colours, interesting skies and good light, which are great conditions for me to get out and capture landscapes. The conditons change quickly and yes it can be wet and grey too, but I gotta catch some of that magic! I’ve heard before from great landscape photographers that RULE NUMBER ONE is: GET OUT THERE! Composition, tripod, exposure blending etc... it all cames after that. 

(short version, text deleted here)

Short version is that I went to the Veluwe in The Netherlands including a visit to a special forest with "Dancing Trees" now that I am really into trees. In this short version I will skip the planning phase and go straight to gear and the results...

Gear!

I went a little over the top here because I'm a guy who likes to be prepared.. In my defence, it is more about using similar gear for similar hikes, such that it is easy (just pack it all!). Below is the stuff:

 Shown in the photo:

• Backpack (38 lts, Osprey Kestel)
• Tripod, attached to backpack (compact aluminium Manfrotto tripod with ballhead and ReallyRightStuff Arca plate with quick lever)
• Pouch to put camera gear in (ICU Shallow Small from F-Stop)
• Camera sholder bag  
• Fuji X-T1 body with XF 18-55mm
• Extra lenses: Fujinon XF 10-20mm, XF 55-200mm
• Filters and rings: Circlar Polariser, (B+W) ND 10 stopper (Hoya Pro 1000), step-down rings for all my lenses. My filters are in size 77mm
• Peak Design camera strap
• Mini tripod with iphone holder
• Rain cover for camera/lens with openings for lens and operation
• Garmin GPSMap 64s
• Compression sack with extra clothes (waterproof compressed and uncluttered storage of my clothes in my backpack)
• Rain coat
• Hat
• Fleece scarf
• Thin gloves (can operate the camera wearing them)
• Head light, flash light
• Pocket knife
• Battery charge for phone
• Batteries for GPS
• Rain pants
• Musli bars
• Toilet paper
• Book

Setting up for a photo in the middle of the heathland. 

Not shown in the photo: 

• Camel bag for water (goes into the backpack in a special compartment. One of the reasons I like to take the backpack: I'm sorted for water and energy for the day no matter how much I decide to walk) 
• Hiking boots
• Rain boots (for the really wet days, else they stay in the car) 
• Good clothes (thermo layer, middle layer, wind/rain proof layer) 
• iPhone, charger, earplugs  

 (I stayed in a hotel so no need for camping gear :-)

Early results

It worked out really well and I got lucky with some sunshine in the mornings and very little rain. I show some results below and will follow with another post with the really good stuff! I hope this may help you on planning your landscape or nature photo outings, and as I mentioned, there is very little holding you back if you plan it near your home and don’t mind the weather.

Forest and heath, covered in the fog (or is it rain?) [Fuji X-T1, XF 55-200mm, 128mm, f/11, 1/8sec, ISO200]

This goes to show that camera gear is not that important (captured with iPhone). Makes you wonder what the iPhone X with RAW files coud do... 

Long paths through an old beach forrest in the morning. Signs are clear: this is toward the very end of autumn. [Fuji X-T1, XF 18-55mm, 29mm, f/8, 1/125sec, ISO1600] 

To finish off, a sunny-looking photo. Goes to show that even on the last day of November there are still wonderful colours in the forest to explore, find and capture (and share). [Fuji X-T1, XF 18-55mm, 18mm, f/11, 1/4sec, ISO200]  Cheerio!

Time lapse - Scheveningen Pier

Let’s share a timelapse I made last month and how I did it.

What I like about Time lapse

Time lapse is something that I am still experimenting with. What I like about it is that adds a touch of movement and ‘passage of time’ to an otherwise still scene. At least that it how I like to look at them and prefer them. Whereas a video is at normal speed of life and still is frozen, this one sits magically iin the middle and gives you the idea that you are a special, almst devine observer.

That and the fact that it can make the sky in a landscape photo - one of my favorite subjects at the moment -  to life without it becoming a movie: jut passage of time... and clouds!

I used the following gear and settings for this simple 2x30 second stitched time lapse:

• Fuji X-T1 camera with XF 18-135mm lens
• A small table-top tripod (Matin MS220) 
• Circular Polariser filter (B+W)
• Using time interval setting in the camera at 1 sec interval and just below 400 frames for each sequence. that means some 5 minutes per scene into a 15 second video, then slowed each video down by factor 2 and stitched them together in post.  
• RAW file format (!)
• Framed at 38mm (25mm on my cropped XF lens). Exposure was manual at f/11, 1/180 sec, 200 ISO. IOS image stabilisation was off (tripod..).
• Post in LRTimelapse program (deeloped by Gunther Wegner) to batch edit the sequence in Lightroom and render the video. Then I added music via iMovie.

The result

The good:

•  Mini tripod and single ‘travel’ lens make an ideal portable rig for time lapse anywhere.
• RAW editing, exposure transitioning and deflickering in LRTimelapse / Lightroom is really good generating 'still-like quality' to the movie.
• Hey, I got some movement in my frame with a sense of passage of time around this fixed landmark in my town.  

The bad:

•  Total time lapsed was rather short, next time I want to extend it for more cloud movement, to say 30 - 60 mins.
• Cloud movement not silk smooth, next time I will try to reduce the shutter speed to say 1/15 - 1 sec using my ND 10 stop filter.
• This bloody dog on the beach (or should I say dog-owners)! It came from behind an ran right over my rig during time lapsing, throwing my camera/lens smack in the sand! Calm down Remco, and careful cleaning...:-( I got it clean in the end, but don’t wish this to happen to anyone so be warned.
• So I still have miles to go in this genre, bt am already enoying it! Feel free to leave any comments and I hope to post one again soon (pssst: please give me an idea for subject in these darkest of winter days when there is no snow only rain...).

Useful links:

lrtimelapse.com

The mini time lapse rig